The Possessed (play)
The
Possessed (in French Les Possédés)
is a three-part play written by Albert
Camus in 1959. The piece is a theatrical
adaptation of Fyodor Dostoyevsky's
novel The Possessed, later renamed Demons. Camus despised nihilism and viewed Dostoyevsky's work as a prophecy about
nihilism's devastating effects. He directed a production of the play at the Théâtre Antoine in 1959, the year before he died, which he financed in part
with the money he received with his Nobel Prize. It was a critical success as
well as an artistic and technical tour de force: 33 actors, 4 hours long, 7
sets, 24 scenes. The walls could move sideways to reduce the size of each
location and the whole stage rotated to allow for immediate set
transformations. Camus put the painter and set decorator Mayo, who had already illustrated several of his novels
(L'Etranger - 1948 Ed.), in charge of the demanding task of designing these
multiple and complex theater sets
References
· Ray Davison (1997). Camus: The Challenge
of Dostoevsky. University of Exeter Press. pp. 136–160.
· · Yeatman-Eiffel,
Evelyne (2012). Mayo. France: mayo-peintre.com. p. 154.
·
Yeatman-Eiffel, Evelyne (2012). Mayo. France: mayo-peintre.com.
p. 155.
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