A Good Man in Africa (novel)
A
Good Man in Africa is the first
novel by William Boyd,
published in 1981. It won both the Whitbread Book Award for a first novel and the Somerset Maugham Award that year.
Introduction
Morgan
Leafy is First Secretary to the British Deputy High Commission in Nkongsamba in
the fictional West African country of Kinjanja. Leafy's life is becoming
increasingly problematic: he is being blackmailed by a local politician, his
plan to fix the forthcoming elections has come unstuck, and a coup is looming.
In his personal life he has contracted gonorrhea from Hazel, his black mistress who is cheating on him,
while Priscilla, his boss's daughter on whom Leafy has lustful ambitions, has
just got engaged to his hated underling. To complete his woes Priscilla's
father is threatening to dismiss him unless he can dispose of a corpse that has
been left to rot in the sun in accordance with tribal laws.
Publication
Morgan
Leafy also appears in two short stories, "Next Boat from Douala" and
"The Coup" which concern his departure from Africa. The stories
appear in the collection On the Yankee Station, published later in 1981, but as Boyd explained in an
interview the collection was actually written before the novel, though Boyd
claimed he had written both when he sent the collection to potential
publishers. Hamish Hamilton
agreed to publish the novel (as yet unwritten) and collection in that order,
Boyd admits "So I said to my new editor, Christopher
Sinclair-Stevenson, 'Look, the manuscript is in a
shocking state, I just need a couple of months to knock into shape’, and I sat
down and wrote A Good Man in Africa in a white heat of dynamic endeavour
in three months at my kitchen table.
Inspiration
William
Boyd grew up in Western Africa, living in both Ghana and Nigeria. He explains
that the setting for the novel "is completely set in Ibadan in Western Nigeria even though I changed the names, but
everybody in it is made up. It’s rooted in my autobiography in terms of its
colour, texture and smells but the story is – and that’s something that’s
always been the case with me - invented. There is an autobiographical element
in that the character of Dr Murray is very much a two-dimensional portrait of
my father."
Reception
- Michiko Kakutani in The New York Times praises the novel, likening it to the work of Evelyn Waugh and Kingsley Amis: "it is as though Lucky Jim had been suddenly transported to the mythical kingdom of Azania in Black Mischief." She concludes, "There are, of course, things a reader might quarrel with: Mr. Boyd's penchant for broad humor and narrative pratfalls makes, at times, for an irritating glibness; and his technical mastery of the novel form obscures the fact that he has yet to develop a voice that is truly his own - the echoes of his predecessors haunt the achievement of this book. Still, this remains a precocious debut indeed, and I eagerly await Mr. Boyd's next novel".
- Kirkus Reviews concludes "Boyd can lapse from credible black-comedy into cheap farce. Still, if the worst of this energetic novel is reminiscent of crude sit-corns, the best recalls Waugh and Amis--in a dark yet cheerful nightmare that's juiced along by humiliation, fury, and a highly unsentimental view of post-colonial Africa."
Film adaptation
References
· Interview
with William Boyd | The White Review Retrieved 28 Feb 2014
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